The production of Wagner’s operas is fiercely debated In this groundbreaking stage history Patrick Carnegy vividly evokes the—often scandalous—great productions that have left their mark not only on our understanding of Wagner but on modern theatre as a whole He examines the way in which Wagner himself staged his works, showing that the обюкт composer remained dissatisfied with even the best of his productions After Wagner’s death the scenic challenge was taken up by the Swiss visionary Adolphe Appia, by Gustav Mahler and Alfred Roller in Vienna, and by Otto Klemperer and Ewald DA?lberg in Berlin In Russia the Bolsheviks reinvented Wagner as a social revolutionary, while cinema left its indelible imprint on the Wagnerian stage with Eisenstein’s Die WalkA?re in Moscow in 1940 Hitler famously appropriated Wagner for his own ends Patrick Carnegy unscrambles the interaction of politics and stage production, describing how post-war German directors sought a way to bury the uncomfortable past The book concludes with a critique of the iconoclastic interpretations by Patrice ChA©reau, Ruth Berghaus, and Hans-JA?rgen Syberberg.  Richard2006 г Твердый переплет, 352 стр ISBN 0300106955.